{"product_id":"vidor-selektor","title":"Vuk Vidor. Selektor","description":"\u003cul class=\"tabs\"\u003e\n  \u003cli\u003e\u003ca href=\"#tab-1\" title=\"Selektor\"\u003eDescription\u003c\/a\u003e\u003c\/li\u003e\n  \u003cli\u003e\u003ca href=\"#tab-2\" title=\"Vuk Vidor\"\u003eThe artists\u003c\/a\u003e\u003c\/li\u003e\n  \u003cli\u003e\u003ca href=\"#tab-3\" title=\"Julie Chaizemartin, Richard Leydier, Uroš Đurić, Harland Miller\"\u003eThe authors\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cdiv id=\"tab-1\"\u003e\n  \u003cp\u003e\u003cem\u003eVuk Vidor. Selektor\u003c\/em\u003e, Paris, Éditions Lord Byron, 2025\u003c\/p\u003e\n  \u003cp\u003e1st edition \u003cbr\u003eEdition of 350 copies\u003cbr\u003eHardcover, 23 x 29 cm, 368 pages \u003cbr\u003eBilingual edition: French, English\u003cbr\u003eISBN: 978-2-491901-98-1\u003c\/p\u003e\n  \u003cp\u003eThe book \u003cem\u003eVuk Vidor. Selektor\u003c\/em\u003e is the first monograph on the Franco-Serbian artist and brings to a close his four-year cycle of exhibitions held at the Museum of the City of Belgrade from 2019 to 2023. It includes texts by Julie Chaizemartin, Richard Leydier, Uroš Đurić, as well as a conversation with Harland Miller.\u003cbr\u003e\u003cbr\u003e“His work is an enigma to me, as I have never quite known how to classify it precisely. Vidor has indeed always played on several fronts, so to speak: he is both conceptual—his \u003cem\u003eArt History\u003c\/em\u003e works fall into this category—and formal, as evidenced by his painting and drawing. He constantly oscillates between these two options, and while this dualism does not facilitate immediate understanding and may leave us somewhat disoriented, it is likely that the artist resorts to one or the other of these languages depending on the circumstances.” (Excerpt from the text by Richard Leydier)\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv id=\"tab-2\"\u003e\n  \u003cp\u003eVuk Vidor is a Franco-Serbian artist born in 1965 in Belgrade, Serbia. He graduated in 1990 from the École d’architecture Paris. A multifaceted artist—at once painter, sculptor, and conceptual artist—Vidor has been exhibiting internationally for more than 30 years. Among the galleries that have exhibited and represented him are Galerie Valerie Cueto in Paris and New York, Galerie Mazel in Brussels, Gallery Poulsen in Copenhagen, Galerie Magda Danysz in Shanghai, as well as the Novembar, Arte, SKC, and X Vitamin galleries in Belgrade. Numerous institutions have presented his work, including MOCO Montpellier Contemporain, the Museum of the City of Belgrade, La Maison Rouge in Paris, the Fernet Branca Foundation in Saint-Louis, the Irish Museum of Contemporary Art in Dublin, the Musée d’Art Moderne in Saint-Étienne, and the Musée d’Art Contemporain de Lyon.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv id=\"tab-3\"\u003e\n  \u003cp\u003eJulie Chaizemartin is a journalist and art critic. She graduated from the École du Louvre and Paris I Sorbonne with degrees in Art History and Law. Having contributed to \u003cem\u003eL’Express\u003c\/em\u003e, \u003cem\u003eL’Officiel de l’Art\u003c\/em\u003e, and the \u003cem\u003eHuffington Post\u003c\/em\u003e, she has been writing since 2018 for \u003cem\u003eLe Quotidien de l’Art\u003c\/em\u003e and \u003cem\u003eArt Press\u003c\/em\u003e, where she has developed a strong interest in art criticism. In 2016, she founded Art District Radio, a web radio station dedicated to art and jazz. She is also the author of the art books \u003cem\u003eFerrara: Jewel of the Italian Renaissance\u003c\/em\u003e, \u003cem\u003ePhilippe Cognée\u003c\/em\u003e, and \u003cem\u003eOda Jaune, Wonderlust\u003c\/em\u003e.\u003c\/p\u003e\n  \u003cp\u003eBorn in 1964, Uroš Đurić is a Serbian conceptual artist, actor, and painter based in Belgrade. He studied art history at the Faculty of Philosophy of the University of Belgrade, then painting at the Faculty of Fine Arts in the same city. From 1989 onward, Đurić became an active figure in the Belgrade art scene by founding, together with Stevan Markuš, the (anti-)autonomist movement known as Autonomist, whose Manifesto of Autonomism they published in 1994. During the 1990s, he frequently appeared in feature films. Founder of the Remont Gallery and the eponymous art magazine, he worked with Belgrade radio station B92 from 1992 to 2010.\u003c\/p\u003e\n  \u003cp\u003eRichard Leydier is an exhibition curator and art critic, former editor-in-chief of \u003cem\u003eArt Press\u003c\/em\u003e magazine and editor-in-chief of \u003cem\u003eAVC\u003c\/em\u003e magazine. In this capacity, he has written numerous monographs devoted to artists as diverse as David Altmejd, Bernhard Martin, Georg Baselitz, Vanessa Beecroft, and Ernesto Neto. He is the author of several books on Ronan Barrot, Marc Desgrandchamps, Jean Messagier, Jonathan Meese, and François Rouan, among many others.\u003c\/p\u003e\n  \u003cp\u003eBorn in 1964, Harland Miller is a British writer and artist. After living and working in New York, Berlin, and Paris, he settled in London, where he currently lives and works. Miller’s works have been exhibited worldwide, and in 2020 the artist organized his largest solo museum exhibition to date at the York Art Gallery. He is known for his large-scale photorealistic paintings of vintage Penguin book covers. Both a critically acclaimed novelist and an influential painter, his style explores the interplay of image and text, similar to that of the American artist Ed Ruscha. He is currently represented by the White Cube gallery in London.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Editions Lord Byron","offers":[{"title":"Default Title","offer_id":56708146004313,"sku":null,"price":48.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0503\/3115\/6652\/files\/COUV_Vuk-Vidor-1re_533e1ddb-5735-4547-8db9-cc70225d35c5.jpg?v=1767116573","url":"https:\/\/editions-lord-byron.fr\/en\/products\/vidor-selektor","provider":"Editions Lord Byron","version":"1.0","type":"link"}